13.6x17,,,,台北故宫博物院。参考资料：石渠宝笈续编（宁寿宫），第5册，页2910 参考资料：故宫书画录（卷八），第四册，页21 参考资料：张照（一六九一－一七四五），字得天，号泾南、天瓶居士，上海松江人。工诗文，善书画，官至刑部尚书。书法初学董其昌，中年出入颜、米，擅长行楷书，为清代「馆阁体」能手。乾隆初年的御书匾额和书画题跋，多由他代笔，因而对之评价尤高，称其书艺甚至超越米芾、董其昌，直追书圣王羲之。此幅楷书节临〈九成宫醴泉铭〉，用笔俊逸工穏，结体虽小，犹见清丽秀雅的韵致。 (20120713) 参考资料： Zhang Zhao (style name Detian; sobriquets Jing-nan, Tianping jushi) was native to Songjiang, Shang-hai. Good at poetry, he also excelled at painting and calligraphy, serving as Minister of Justice. In calligraphy he first studied Dong Qichang’s style, in middle years including Yan Zhenqing and Mi Fu’s. Semi-regular script his specialty, he was a gifted “Academic Style” calligrapher. Many imperial writings and early Qianlong art inscriptions were actually by him, so his style was admired. Many claimed it even surpassed Mi Fu and Dong Qichang’s, going back to the Sage Calligrapher, Wang Xizhi. In this excerpt from the Sweet Spring inscription, the brushwork is handsome and steady. The characters, though small, reveal a harmony of pure beauty and elegance. (20120713) 参考资料：陈阶晋；〈心追手摹—笔有千秋业展件选介〉，《故宫文物月刊》，第354期（2012年9月份），页88-97。